Based in West Sussex, UK, I specialise in landscape, seascape, and nightscape photography. I love find new ways to capture the subtle beauty that's all round us and often overlooked, from gentle glow before sunrise, the tide's pull, and endless stars above the downs. From rocky cliffs to serene forest trails, the south coast offers me a varied canvas on which to paint, and I never get tired of photographing it all.
At first, photography was just a way for me to remember the things that caught my eye. I used to take pictures on my phone whenever I could, like at the beach after work, on walks through the hills, and on family outings. But as I became more interested, I also became more curious. I took the plunge and bought my first DSLR, a Canon 1200D, in 2016. I didn't know much about photography, but I threw myself into learning, trying new things, failing, getting better, and slowly realising that this was more than just a hobby.
Since then, I've spent a lot of early mornings and late nights chasing light and trying out different compositions, weather, and times. Over the years, I've developed my own style, which is based on being patient, being subtle, and noticing the little things that make a scene feel real. You can often find me in the woods in the autumn, taking pictures of mushrooms, or standing alone under a clear sky, taking pictures of the Milky Way.
Photography has become more than just a way for me to express myself; it's also a way for me to get away. When things get too much for me or my mind is too busy, going out with my camera helps me to take a break. Being present, waiting for light, feeling the weather change, and paying attention to the details all help me reduce the noise in my mind. Those quiet times outside have helped me through some tough times and reminded me of what really matters. It's how I stop everything when it feels too fast.
For me, photography is all about making connections. Not just to the time and place, but also to myself. It makes life go slower, even for a little while, and lets me see things in a new way. Every picture tells a little story of peace, discovery, or thought. I hope that when you look at my work, you don't just see a picture, but also a feeling that makes you stop, breathe, and see the world more clearly.
After years of shooting landscapes, night skies, and wildlife across the UK and Europe, I've refined my gear to a setup that balances quality, versatility, and reliability. Here's the equipment I trust for professional photography work.
The Canon EOS R5 is my primary workhorse for its exceptional resolution, IBIS, and low-light performance—essential for astrophotography. The 5D Mark III remains a reliable backup for long exposures.
Game-changer for astrophotography with its 45MP sensor and IBIS. Handles ISO 6400 beautifully for Milky Way shots.
Proven reliability for landscape work. Still my go-to for long exposure seascapes and woodland photography.
My lens lineup covers everything from ultra-wide astrophotography to wildlife telephoto work. The RF 15-35mm f/2.8L is indispensable for night sky photography.
Perfect for Milky Way, aurora, and coastal landscapes. Sharp at f/2.8, essential for gathering starlight.
Versatile all-rounder for travel and general landscape work. Great for woodland details and coastal scenes.
Stunning for mushroom photography and autumn woodland details. The bokeh quality is exceptional.
My most-used lens. Professional telephoto for compressed landscapes and wildlife. Still performs beautifully on the R5 with adapter.
Reach for wildlife and distant coastal features. Surprisingly sharp for the price point.
Budget-friendly ultra-wide for star trails. Manual focus takes practice but results are excellent.
LEE Filters system for controlling light in challenging conditions. The Big Stopper enables those dreamy long exposures of moving clouds and water.
Essential for balancing bright skies with darker foregrounds at sunrise and sunset.
Perfect for daytime long exposures. Creates smooth water and cloud movement.
For dramatic multi-minute exposures. Transforms seascapes into ethereal scenes.
Adds subtle star flares to bright lights in night photography without being overpowering.
Lowepro for hiking with full kit, Three Legged Thing for lighter fast-moving shoots.
Secure back-panel access and weather protection. Comfortable for all-day South Downs hikes.
Compact shoulder bag for minimal kit. Perfect for quick golden hour sessions.
Rock-solid stability is non-negotiable for night sky work and long exposures. Three Legged Thing Albert 2.0 handles coastal winds with ease.
Carbon fiber stability without excessive weight. Essential for sharp astrophotography. Rapid deployment in changing UK weather.
Star tracker for deep sky imaging. Allows 2-4 minute exposures for detailed Milky Way captures. Game-changer for astrophotography.
The EF-EOS R adapter allows me to use my existing EF lenses on the R5 without compromise.
Seamless integration of EF glass on RF bodies. Zero performance loss with my 70-200mm.
For macro and product work, controlled lighting reveals details invisible to ambient light.
Precise illumination for mushroom photography. Adjustable intensity and angle for creative shadow control.
Based on my experience shooting UK landscapes and night skies, here's what I recommend for different photography styles: